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  • The Opera Centre “Zoran Todorovic” and the Opera and Theatre Madlenianum are auditioning future attendees for acceptance to the Opera Centre. The audition is to be held on 12 November, 2019 at 2 pm in the premises of the Opera and Theatre Madlenianum, 32, Glavna Street, Zemun. Applications shall...
  • On the occasion of marking 140 years of diplomatic relations between the Republic of Italy and the Republic of Serbia

    In this 2019 it has been 140 years since establishing diplomatic relations between Italy and Serbia, as well as 10 years since establishment of strategic partnership between Rome and Belgrade. The Embassy of Italy in Belgrade, the Italian Institute of Culture and the Opera & Theatre...
  • THE FIRST DRAMA PREMIERE IN THE SEASON

    REHEARSALS FOR THE FIRST DRAMA PREMIERE IN THE SEASON HAVE BEGUN NANA – BY THE NOVEL OF ÉMILE ZOLA   The work on the play Nana, based on the famous novel of Émile Zola, started on 1st September on the Large Stage of the Opera & Theatre Madlenianum. A lavish story, showing us French society in...
  • 17 Belgrade Dance Festival

    Lebensraum direction: Jakop Ahlbom More >>>
  • 17 Belgrade Dance Festival

    (d)elusive minds choreography, set design: Fernando Hernando Magadan Dust choreography, music: Hofesh Shechter Private Games: Chapter 1 choreography: Anton Lachky More >>>
  • 17 Belgrade Dance Festival

    The Lace choreography: Maša Kolar More >>>
  • 17 Belgrade Dance Festival

    Pasionaria idea, artistic direction: Marcos Morau More >>>
  • 28 September 2019

    Gala Concert from the World’s Opera Stages Marking 25 years of artistic work Conductor: Alberto Veronesi (Italy) Guests: Nikola Mijailovic, Evgenija Jeremić The Orchestra of Madlenianum More >>>
  • Reda troupe has been established in 1959 by professor Mahmoud Reda, who gathered the University students and taught them choreographies based on his thorough research of Egyptian folklore, including music, lyrics, popular stories and dances. The troupe performs traditional dances from different...

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