Zbog bolesti glumice OTKAZUJE SE predstava I KONJE UBIJAJU, ZAR NE? planirana za 7. jun!
Karte možete vratiti na blagajnama Madlenianuma do 14. juna.
Hvala na razumevanju.
Ova sezona, koja je u velikoj meri završena donatorstvom i dobročinstvom, mislimo tu na operu Anželika čije su premijerna obnova, kao i repriza date besplatno sa djake, ali i za ostalu publiku, nastavlja se koncertom za kraj ove sezone.
Humanitarni koncert od 28. juna na Vidovdan posvećen je svim obolelim ženama koje se hrabro i svakodnevno bore za svoj život. Asocijacija Žena plus posvećena je upravo takvim osobama. Na koncertu solista iz operskih kuća Beograda, nastupaju najpoznatiji umetnici u pratnji pijanista Dragane Andjelić Bunjac, Darinke Paunović i Petra Markovića.
Učestvuju: Tanja Olujić, violina, Radmila Bakočević, Snežana Savičić-Sekulić, Sofija Pižurica, Janko Sinadinović, Ana Rupčić, Branislava Podrumac, Tanja Obrenović, Tamara Nikezić, Nenad Nenić i Ljubodrag Begović.
Oni će izvoditi najpoznatije arije iz svetskog operskog repertoara i svojim učešćem pokazati i sopstveni odnos prema svim ženama koje su danas ugrožene na različite načine.
Reditelj je Aleksandar Nikolić, inspicijent Vesna Ćurčić-Petrović.
Ovim koncertom želimo ne samo da pomognemo, već da pokažemo solidarnost, kao i da skrenemo pažnju na probleme žena u našem društvu i u sredini.
In the Opera and Theatre Madlenianum in the period from 10th to 14th June, the National Theatre of the Republic Srpska from Banja Luka is going to have a guest visit. Banja Luka Theatre which has a long tradition (founded in 1930 in joint town creativity) is certainly among the best theatres in the Region. The National Theatre of the Republic Srpska that has always been a theatre of one region, not only of a town, manages to profile the essence of the national culture in the best was by its constant activity.
In the days when Belgrade audience will be able to see the accomplishments of the National Theatre of the Republic of Srpske, three exceptional plays from the newest production of this renowned theatre are to be presented.
10. and 11. June - melodrama FATHER AND SON (CHILDREN’S BUSINESS) Three remarkable artists, the author of the text, Nebojša Romčević, Director Nikola Pejaković and the leader of the cast ensemble, the bard, Petar Božović make the foundation of the success and strength of the play.
It is a contemporary story about a family and a generation gap between father and son, released of ideological and political dimensions and turned towards the consequences that followed all crashes and the transitional period in which (among youth) all is calculated materialistically, whereas egotism, arrogance and cynicism deprive old people of the possibility for happiness. By this play which shows that even in the most ideal families, the natural conflict in parent- child relationship is unavoidable, Nebojša Romčević wants to say that it is not always all black, that as long as we are moving, something can happen, giving thus the hope to the audience.
12. and 13. June - THE HOUR WHEN WE KNEW NOTHING OF EACH OTHER, the play by the text of Peter Handke, directed by Mladen Materić. 20 actors act on the stage in about 300 scenes without words, all happening in a Banja Luka square.
Handke, the writer known for his sympathetic attitude and love towards Serbs, wrote THE HOUR WHEN WE KNEW NOTHING OF EACH OTHER for his daughter in the months before her birth, in order to show her the world she will come to. The renowned director Mladen Materić, who lived in Banja Luka at the age of 2 to the age of 8 years old and whose address today is in France where he owns his theatre, considers this project as the most complicated and the most complex one in his whole career. In this unusual play the director asks the question if this world is a drama, a comedy, a tragedy or one big dancing performance.
14. June - THE SONS DIE FIRST, the play of Mata Matišić, directed by Marko Misirača. In this brave and significant play, full of great creations, the word is about people who have survived traumas in the war and who are looking for their missing ones, but all is imbued with humor, characteristic for our nation and represents a defensive mechanism in difficult times. In this fruition of Banja Luka theatre, the war and post-war problems are viewed “from above”, from the bird’s perspective and the question being asked is how the search for past and digging up old wound (which always open a new round of hatred) is really necessary or it is possible to bury the hatchet once and for all and start living in the present.
With the renewal of Ibert’s opera, Angelique, we wanted to begin a new cycle of the representative performances in order to bestow them to all opera lovers, as well as to the youngest ones, primary and secondary schools students. By the end of the season 2016/17 we will have had six such new operas on the repertoire.
Our intention is not only to acquaint the children with the opera art achievements in the world and in our country, but also to perform these works in their complete equipment, beginning with the orchestra, through stage and costume design solutions, not depriving them of any element.
The comic opera Angelique appeared in 1926. By its language, style and expression, it shows plenty of features and ways of Ibert’s music expression. In the opera are, in addition to arias and ensembles, used spoken fragments, recitatives as well as the voice choir, but particularly successful are the orchestra parts based on brass corpus. In the language that involves many styles and directions, Ibert reaches jazz as well and tries to characterize different nationalities of Angelique’s customers and suitors in mélange manner. Thus an Italian, Englishman and a Negro get the leitmotifs that differentiate them in a musical way. The opera is designed as a farce and a parody, stylish but impudent, academically formulated but also very ironic and sarcastic at times, never exceeding good taste, what the composer obviously paid a great attention to.
The story takes place in a French port at an unspecified time. On the pier there is Boniface’s house and a china warehouse over which there is an inscription reading: „At Fragile Luck“. His neighbor Charlot’s house is across the street and Boniface asks him for help and advice how to tame his young and beautiful wife Angelique who makes his life insufferable and impossible. The neighbor proposes him to talk her into sitting by the window over which they will secretly put a board announcing in that way that the woman is for sale and as she is young and beautiful, she will have a lot of suitors and it will quickly solve the problem.
When the two men managed to make Angelique appear at the window, an Italian, Englishman and a Black man who were passing by the window, quickly fell in love with her and bought her from her husband. Each suitor is represented by „his own music“. The Italian is accompanied by a parody of Rossini’s buff operas and the Negro by syncopated jazz notes. However, none of the three men was able to endure Angelique’s foul nature so they give her back to her husband. Utterly discouraged, Boniface turns to the Devil in order to get rid of his wife forever. But the Devil promptly returns her. Then Angelique realizes how good her husband is, she repents all evil she has done to him, and swears to him her eternal love and goodness so he forgives her. The performance ends and while the curtain is going down, her husband’s voice is still heard from behind it: “She is still for sale!”
In our area, this opera was performed in Zagreb in 1957 and in Novi Sad in 1959. The premiere in the Opera and Theatre Madlenianum took place on 16th March, 2010.
Sunday, 22nd May, 2016 at 19.30h
Large Stage of Madlenianum
PREMIERE RENEWAL
Jacques Ibert
One- Act comic opera
Libretto: Michel Veber
Translation: Flora Dosen
Conductor: Đorđe Stanković
Director: Stefan Sablić
Set Design: Aleksandar Denić
Costume Design: Zora Mojsilović-Popović
Lightning Design: Srđan Jovanović
CAST
Angelique..................Snežana Savičić - Sekulić
Charlot.......................Nenad Nenić
Boniface....................Vladimir Andrić
Italian man.....................Nenad Čiča
Englishman.....................Goran Strgar
Negro......................Goran Krneta
Devil.......................Ljubomir Popović
Neighbor...............Tanja Obrenović
Tourists......................Jovana Jovićević, Vladimir Bulatović Jelena Nikolić Krneta, Ivan Debeljak / Srđan Miletić
The ORCHESTRA of Madlenianum, Concert Master Vesna Janssens
Stage manager: Vesna Ćurčić-Petrović
Organizers: Andreja Rackov, Vukašin Tomić, Mirko Jeremić
Music equipment: Đorđe Stanković, Dragana Anđelić Bunjac
Lector: Ljiljana Mrkić Popović
Set Design Assistant: Valentina Popržan
Costume Design Assistant: Snežana Veljković
Prompters: Zorica Popović, Silvija Pec, Kristina Jocić
Stage Master: Milan Ćirić
Video Realization: Zvonimir Jelušić
Sound Realization: Dušan Arsikin
Master of regulation: Vladimir Krunić
Surtitle: Dragan Stevović
Make-up and Hairstyle: Mirjana Rakić
Wardrobe: Tanja Vuksanović i Miladin Pavićević
With the renewal of Ibert’s opera, Angelique, we wanted to begin a new cycle of the representative performances in order to bestow them to all opera lovers, as well as to the youngest ones, primary and secondary schools students. By the end of the season 2016/17 we will have had six such new operas on the repertoire.
Our intention is not only to acquaint the children with the opera art achievements in the world and in our country, but also to perform these works in their complete equipment, beginning with the orchestra, through stage and costume design solutions, not depriving them of any element.
The comic opera Angelique appeared in 1926. By its language, style and expression, it shows plenty of features and ways of Ibert’s music expression. In the opera are, in addition to arias and ensembles, used spoken fragments, recitatives as well as the voice choir, but particularly successful are the orchestra parts based on brass corpus. In the language that involves many styles and directions, Ibert reaches jazz as well and tries to characterize different nationalities of Angelique’s customers and suitors in mélange manner. Thus an Italian, Englishman and a Negro get the leitmotifs that differentiate them in a musical way. The opera is designed as a farce and a parody, stylish but impudent, academically formulated but also very ironic and sarcastic at times, never exceeding good taste, what the composer obviously paid a great attention to.
The story takes place in a French port at an unspecified time. On the pier there is Boniface’s house and a china warehouse over which there is an inscription reading: „At Fragile Luck“. His neighbor Charlot’s house is across the street and Boniface asks him for help and advice how to tame his young and beautiful wife Angelique who makes his life insufferable and impossible. The neighbor proposes him to talk her into sitting by the window over which they will secretly put a board announcing in that way that the woman is for sale and as she is young and beautiful, she will have a lot of suitors and it will quickly solve the problem.
When the two men managed to make Angelique appear at the window, an Italian, Englishman and a Black man who were passing by the window, quickly fell in love with her and bought her from her husband. Each suitor is represented by „his own music“. The Italian is accompanied by a parody of Rossini’s buff operas and the Negro by syncopated jazz notes. However, none of the three men was able to endure Angelique’s foul nature so they give her back to her husband. Utterly discouraged, Boniface turns to the Devil in order to get rid of his wife forever. But the Devil promptly returns her. Then Angelique realizes how good her husband is, she repents all evil she has done to him, and swears to him her eternal love and goodness so he forgives her. The performance ends and while the curtain is going down, her husband’s voice is still heard from behind it: “She is still for sale!”
In our area, this opera was performed in Zagreb in 1957 and in Novi Sad in 1959. The premiere in the Opera and Theatre Madlenianum took place on 16th March, 2010.
Sunday, 22nd May, 2016 at 19.30h
Large Stage of Madlenianum
PREMIERE RENEWAL
Jacques Ibert
One- Act comic opera
Libretto: Michel Veber
Translation: Flora Dosen
Conductor: Đorđe Stanković
Director: Stefan Sablić
Set Design: Aleksandar Denić
Costume Design: Zora Mojsilović-Popović
Lightning Design: Srđan Jovanović
CAST
Angelique..................Snežana Savičić - Sekulić
Charlot.......................Nenad Nenić
Boniface....................Vladimir Andrić
Italian man.....................Nenad Čiča
Englishman.....................Goran Strgar
Negro......................Goran Krneta
Devil.......................Ljubomir Popović
Neighbor...............Tanja Obrenović
Tourists......................Jovana Jovićević, Vladimir Bulatović Jelena Nikolić Krneta, Ivan Debeljak / Srđan Miletić
The ORCHESTRA of Madlenianum, Concert Master Vesna Janssens
Stage manager: Vesna Ćurčić-Petrović
Organizers: Andreja Rackov, Vukašin Tomić, Mirko Jeremić
Music equipment: Đorđe Stanković, Dragana Anđelić Bunjac
Lector: Ljiljana Mrkić Popović
Set Design Assistant: Valentina Popržan
Costume Design Assistant: Snežana Veljković
Prompters: Zorica Popović, Silvija Pec, Kristina Jocić
Stage Master: Milan Ćirić
Video Realization: Zvonimir Jelušić
Sound Realization: Dušan Arsikin
Master of regulation: Vladimir Krunić
Surtitle: Dragan Stevović
Make-up and Hairstyle: Mirjana Rakić
Wardrobe: Tanja Vuksanović i Miladin Pavićević
22. maj 2016. u 19:30
Velika scena Madlenianuma
fotografije: Zoran Škrbić
Poštovana publiko,
Iz tehničkih razloga OTKAZUJE SE predstava VELIKI GETSBI planirana za 31. maj!
Karte možete vratiti na blagajnama Madlenianuma ili ih zameniti za naredno izvođenje 8. juna!
Hvala na razumevanju.
