HAPPY DAY - petak, 31. januar 2014.
Prodaja karata sa 60% popusta na označene predstave!
Broj karata je ograničen.

Od 8. februara 2014. ponovo će na repertoaru Opere i teatra "Madlenianum" biti izvođena predstava "Ledeni svitac" koja je na premijeri 15. juna 2005. godine i brojnim potonjim reprizama naišla na izuzetan prijem kod publike i kritike. Monodrama po motivima istoimenog romana francuskog pisca srpskog porekla Vladana Radomana svojom premijerom otvorila je Malu scenu "Madlenianuma", a sada će biti igrana u novom prostoru - na Velikoj sceni, sa gledalištem na istoj. Adaptaciju romana uradio je Jovan Ćirilov, režija je Tanje Mandić Rigonat, a igra briljantni Goran Jevtić. Tanja Mandić Rigonat i Goran Jevtić su posle rada na "Ledenom svicu" ostvarili još čitav niz uspešnih saradnji na sceni, te obnova "Ledenog svica" prosto podrazumeva još i viša umetnička scenska dostignuća usled njihove pozorišne zrelosti i iskustava koje sada imaju. Kostimograf predstave je Milena Jeftić Ničeva Kostić, a scenograf Aleksandar Denić koji ostvarivši realističan izgled stanice pariskog metroa čini da se monodrama "Ledeni svitac" u scenografskom pogledu itekako ističe u odnosu na većinu srpskih monodramskih projekata.

"Ledeni svitac" je ispovest mladog Vijetnamca koji otkriva pogled na tri sveta - na svet njegovog detinjstva u jednom nesrećnom delu Azije, na Zapadni svet, preko Francuske u kojoj se mladi Vijetnamac obreo usvajanjem, i na evropski Istok preko poočima Jugoslovena (Srbina) koji se ne snalazi baš najbolje na tom Zapadu. Bezazlenost ovog mladića sa njegovim istočnjačkim pogledima na svet, život i samog sebe, pomažu nam da njemu tuđ, a nama poznat svet vidimo u novom svetlu. Taj svet i nama samima u ovoj drami postaje apsurdan, humoran do tragikomičnosti, često surov i ponekad, samo ponekad, plemenit.
Goran Jevtić, jedna od najsjajnijih glumačkih zvezdi svoje generacije, svojom nadahnutom kreacijom povešće publiku na egzotično produhovljeno putovanje koje svakako ne treba propustiti. Tanja Mandić Rigonat učinla je da se to putovanje odvija u okviru razigrane scenske partiture, a uzbudljivu scensku ispovest upotpunila je video-radom sa dečjim crtežima, što je "Ledenom svicu" dalo dimenziju frojdovski komentarisanog sna.

Treće izvodjenje nove dramske predstave Milanković
Ponedeljak, 9. decembar 2013.

Vasilija Antonijević
MILANKOVIĆ

Režija: Aleksandar Nikolić
Muzika: Vera Milanković
Scenografija i kostim: Kosta Bunuševac

Igraju: Nebojša Dugalić, Dubravka Kovjanić, Andrija Daničić, Vera Milanković,  Kosta Bunuševac

Ponovno okupljanje ekipe mjuzikla JADNICI održano je 23. decembra 2013. na Bel Etage-u Madlenianuma.

„JADNICI ŽIVE!“

Premijerna obnova mjuzikla  Jadnici na našoj Velikoj sceni donosi nekoliko novina. Mjuzikl se vraća na scenu najpre jer smo spremni da kao kuća odgovorimo na mnogobrojne pozive gledalaca i uporna nastojanja da predstave, ipak, bude. Iz javnosti i pozorišnih krugova, stručnih, kao i onih drugih, dobijali smo iste signale. Svi su izražavali žaljenje što kultne predstave naše kuće nema na repertoaru. Od kada je premijerno postavljena, 2007. godine, igrana je do 2011. Obnavljamo je posle sedam godina i 43 odigrane predstave, sa istim autorskim timom, ali  sa velikim promenama u podeli uloga. One se odnose, s jedne strane, na sasvim nove umetnike koji će poneti velike glumačke zadatke, kao što je to Nebojša Dugalić u ulozi Žana Valžana, ali i, sa druge strane, procenivši učinke i karaktere drugih, premestili smo ih na nove uloge, kao što smo učinili sa Dejanom Lutkićem i Srđanom Timarovim očekujući da će oni upravo u novoj postavci postati najtačniji i najsugestivniji tumači određenih likova.

Vraćamo se Les Miserablima dvojice autora Boublil-a i Schönberg-a posle novog velikog uspeha koji je ostvario mjuzikl Rebeka Silsvestera Levaia i Mihaila Kuncea na našoj sceni, uvereni da nam ovaj žanr postaje blizak, ali i zbog toga što se predstave veoma razlikuju, potpuno su drugačije i u muzičkom i u dramskom smislu i verujemo da će svaka imati svoju publiku.

Agencija koja zastupa autore mjuzikla Les Miserables, donela je 2010. godine odluku za sve kuće koje od tog trenutka postavljaju predstavu, izvesne promene u njenoj partituri, kako za orkestar tako i za vokalni i glumački deo uloga čime je još više težište pomereno ka ozbiljnoj muzici, ka operskom žanru. Posmatrano i naj taj način, mjuzikl koji je veliku popularnost ostvario u čitavom svetu, poseduje izuzetno visoke umetničke kvalitete ne samo u svome žanru već u celokupnoj muzičko-scenskoj produkciji.

Režija osvedočenog majstora mjuzikla, Nebojše Braadića, koji je na našoj sceni režirao i mjuzikl Rebeku, ocenjena je od strane onih koji su predstavu videli na našoj sceni, ali i po video zapisu u svetu, kao jedna od najboljih postavki uopšte.

Jedan od najvećih romana francuske i svetske knjiuževnosti, Jadnici Viktora Igoa ne prestaju da interesuju filmske, televizijske i dramske stvaraoce, pozorišne delatnike, a od trenutka kada su napisani, 1862. godine svojevrstan su bestseler u celom svetu. Sentimentalna, romantična priča, zaogrnuta u revolucionarne, dramatične, epske i tragične dogadjaje inspirisala je autore na lirsku, ali i dramatičnu muziku koja pleni slušaoce širom sveta. Brojni likovi, izuzetno reljefno ostvareni u romanu, sa kojima se identifikuju brojne generacije svih vremena i društvenih slojeva  realizmu su dodali efemernost muzike, čime je mjuzikl dobio  odlike svevremenosti i višeznačnosti uz pitku, ali veoma zahtevnu muzičku potku.

Izazovan za izvođače i autorski tim, privlačan za publiku, mjuzikl Miserables , pravi hit u celom svetu od svoje prve postavke u Londonu 1985. verujemo da će oživeti sve naše potrebe za lepim, humanim, dobrim i poštenim u svetu i trenutku u kome živimo. „Dok sam čitao Jadnike, čuo sam muziku“, rekao je jedan od autora mjuzikla, Schönberg. Dok slušamo i gledamo Jadnike, oživljavamo ceo jedan svet prošlosti sa najplemenitijim porukama budućnosti koje se primaju direktno i prirodno  jer zvuče melodično, privlačno i uzbudljivo.

15. mart 2014. u 19:30
Velika scena MADLENIANUMA

Inscenacija i režija: Nebojša Bradić
Dirigent: Vesna Šouc Tričković
Scenograf: Geroslav Zarić
Kostimograf: Bojana Nikitović
Dizajn svetla: Srđan Jovanović
Organizator: Andreja Rackov
Asistent reditelja: Tadija Miletić
Vođa predstave: Vesna Ćurčić Petrović

LICA

Žan Valžan  ......................Nebojša Dugalić
Inspektor Žaver  ...............Dejan Lutkić
Fantina  ............................Katarina Gojković
Tenardije  .........................Srđan Timarov
Gospođa Tenardije  ..........Nataša Marković
Eponina  ...........................Branislava Podrumac
Marijus  .............................Ivan Bosiljčić
Kozeta  .............................Dubravka Arsić
Anžorla  ............................Ljubomir Popović
Biskup iz Dinja ..................Zoran Leković
Gavroš  .............................Marko Rapajić/Aleksa Stanilović
Mala Kozeta i Eponina......Katarina Tričković/Tijana Golemović

Orkestar Opere i teatra MADLENIANUM, koncertmajstor Vesna Janssens

Ansambl:

Marko Živković, Vladimir Lalić, Boris Postovnik, Ivan Debeljak, Srđan Mladenović, Boris Balunović, Vladimir Bulatović, Srđan Miletić, Nebojša Đorđević, Žarko Stepanov, Nenad Milanović, Ivan Plazačić, Nataša Radovanović, Nevena Đorđević, Dragana Radovanović, Jelena Nikolić Krneta, Dragana Tasić, Bojana Račić, Milena Moravčević, Tijana Ranđelović, Maja Ristić, Milena Živadinović, Zorana Kalapiš, Zorana Stanišić

Muzička priprema: Vesna Šouc Tričković, Vladimir Gligorić, Dragana Anđelić Bunjac · Lektor: Paul Murray · Sufleri: Zorica Popović i Silvija Pec · Audio realizacija: Dušan Arsikin · Video realizacija: Zvonimir Jelušić · Realizacija svetla: Vladimir Krunić · Prevod i titl: Dragan Stevović · Majstor pozornice: Milan Ćirić · Šminka i frizure: Mirjana Rakić · Garderoba: Tanja Vuksanović i Miladin Pavićević · Asistent organizatora: Verica Đukić

fotografije: Marina Lukić (Gloria)

ZAFIR HADZIMANOV

Zafir Hadzimanov was born at Kavadarci (Macedonia) on 25th December 1943, from father Vasil and mother Vera. In 1967 he enrolled the Faculty of Dramatic Arts in Belgrade and graduated as an excellent student in the class of Professor Mata Miloševic in 1967. Even as a student, he achieved extraordinary success in theatre, in the world of film and show business. He won prizes at all festivals of the time: Belgrade, Zagreb, Opatija, Split, Skopje, but also at the international festivals in Sopot (Poland) and Varadero (Cuba). He played the main roles in the films The Knife by Ž. Mitrovic and Macedonian Bloody Wedding by  T. Popov, as well as in several other films and at the theatre  stages in Belgrade (Theatre on Terazije, Atelje 212), Skopje (Drama Theater), Novi Sad (Serbian National Theatre) and Boston (Forum Theatre).

He was more popular among broad audience as the singer-songwriter dominant in the world of chansons, of his own creation, as well as the works of many other leading poets. Unlike anybody else in Serbia and  Macedonia, he composed tens of chansons and ballads to the verses of anthological poets, such as: Konstantin Miladinov, Kosta Racin, Blaže Koneski, Aca Šopov and Radovan Pavlovski, as well as of such celebrities as Miloš Crnjanski, Duško Radovic, Desanka Maksimovic, Brana Crncevic... He received all kinds of awards, starting from Struga Poetry Evenings in 1975, all the way to the International Chansons Festival in Zagreb in 2002 and in 2003. Alone, or together with his wife, Senka Veletanlic-Hadžimanov, he recorded many records, discs, TV shows. He performed at the stages such as Olympia (Paris), Opera House (Sydney), Bolshoi Theatre (Moscow)...

He was awarded the annual actors’ prize of the Serbian National Theatre in Novi Sad, the special award for high accomplishments in the domain of acting by the Association of Dramatic Artists of Serbia, the Yugoslav Show Business Award The Distinguished Artist of Serbia, Lifetime Achievement Award by Skopje Radio Ladybug (in 2002), Lifework Award granted by the voting of the spectators of TV Jesenjin (in 2003), and the Golden Masque Award for spreading of Macedonian culture all over the world (in 2006).

Zafir Hadžimanov writes poetry in two languages: Serbian and Macedonian: Chansons in Paper, Dog Singer (Recognition Award Stražilovo), Asylum, National Poet, Brother, but he also wrote a book of short stories Sour-Merry. In 2007 he published a CD named There Was May, with his greatest festival successes.

Zora Mojsilovic- Popovic, film and theatre costume designer. She occupies herself with fashion design of unique clothes and is an associate professor at The Faculty of Applied Arts in Belgrade where she has a chair for costume. She is the author of costumes for more than seventy theatre performances and is a winner of prestigious Sterija Award for costume design, Ardalion Award at Uzive Festival and Golden Turkey Award at the festival in Jagodina. She created costumes for seven featue films among which are the following: Life is a Miracle by Emir Kusturica, Gucha by Dušan Miletic, The Powder Keg by Goran Paskaljevic and Here and There by Darko Lungulov.

YURI ALEXANDROV

Yuri Alexandrov graduated on the Leningrad State Conservatoire as a pianist in 1974 (class of Professor Umanskaya) and from the faculty of musical stage direction in 1977 (class of senior lecturer M. Slutskaya). His degree production was Donizetti's Don Pasquale at the Byelorussian State Academic Bolshoi Theatre. From 1978 to the present day Mr. Alexandrov has worked as a stage director at the Mariinsky Theatre. His work is natural and varied, and for him there is no strict, canonical understanding of opera. He boldly adapts, analyses and experiments with classical opera texts. Moreover, his art is marked by a unique aesthetic, original thoughts, paradox and the unexpected. Following the thought process in his productions is both intriguing and complex, filled as it is with allegory and metaphysical ideas. The metaphor is one of the Maestro's main devices, exposing and embodying the internal, deeply spiritual, philosophical and poetic world of the director.

Productions he has staged at the Mariinsky Theatre have always proved to be significant events in St Petersburg's cultural life, among them Donizetti's Il campanello di notte (The Night Bell) and Don Pasquale, Gluck's The Queen of May, Banevich's The Story of Kai and Gerda, Mozart's Don Giovanni, Stravinsky's Mavra, Mozart's The Marriage of Figaro, Tchaikovsky's Mazepa, Prokofiev's Semyon Kotko (awarded Russia's highest theatre prize, the Golden Mask, in 1999 in the categories "Best opera production", "Best opera director", "Best opera designer" and "Best opera conductor") and Verdi's Aida, Don Carlos and Othello. One of Russia's greatest musical theatre directors, Yuri Alexandrov has won a reputation as an innovator in opera. In 1987 he founded the Chamber Music Theatre. Initially conceived as a creative "laboratory", with time it developed into the professional St. Petersburg Chamber Opera Company, famed not only throughout Russia but abroad too. Yuri Alexandrov has staged over two hundred productions at opera houses throughout Russia and abroad, among them Donizetti's L'elisir d'amore (The Love Potion) (Riga), Musorgsky's Khovanshchina (Moscow, Bolshoi Theatre), Mozart's Don Giovanni (Vilnius), Borodin's Prince Igor, Tchaikovsky's Eugene Onegin (Turkey), Tchaikovsky's Cherevichki and Eugene Onegin, Mozart's Don Giovanni (Italy) and Tchaikovsky's The Queen of Spades (USA). One recent premiere directed by Mr. Alexandrov that set the opera world ablaze was Puccini's Turandot, which he staged in June 2003 at the Arena di Verona (Italy). It was an unprecedented event: for the first time ever the theatre had invited a Russian director to stage one of the classic Italian operas. Yuri Alexandrov and conductor Valery Gergiev work together in August 2005 at the Arena di Verona, and staged the opera Boris Godunov on the largest open scene. 

VYACHESLAV OKUNEV

Graduated from Leningrad Institute of Theatre, Music and Cinema (prof. I. G. Sigal). Designed more than 250 opera and ballet productions. In 1977 made his debut with Giselle (Mariinsky Theatre). At Mariinsky Theatre designed operas Love for Three Oranges, Mavra, Kashchey the Immortal, Il Campanillo, May Queen. Le nozze de Figaro, ballets La Sylphide, Petrushka, Svadebka, Coppelia, Anna Karenina (music by Pyotr Tchaikovsky), Inspector (music by Alexander Tchaikovsky) etc. At the Bolshoi Theatre of Russia: La Sylphide, Russian Hamlet. At the Bolshoi Theatre of Byelorussia: The Magic Flute, Katerina Izmailova, Tosca, Fire-bird, Le Sacre du printemps, Rogneda, (music by Mdivani), Undine (music by Henze), Don Quichotte. At the Boris Eifman Ballet Thetare: Tchaikovsky, Karamazovy Brothers, Red Giselle, Russian Hamlet, Don Juan by Moliere. At present, Okunev is the chief designer of Musorgsky Opera and Ballet Theatre (St. Petersburg), where he designed Tsar Saltan, Carmen, Otello, La Traviata, The Sleeping Beauty, Swan Lake, Nutcracker, Don Quichotte. Among the productions of classical Russian operas: War and Peace, Fiery Angel (Perm), Tsar's Bride (Kiev), Boris Godunov (Odessa), Evgeny Onegin (St. Petersburg Opera), Ruslan and Ludmila (Tchelyabinsk). At Mariinsky Theatre Vyacheslav Okunev reconstructed historical sets for Khovanshchina (by Fedorovsky), Petrushka (by Benois), Coppelia (after artists of the nineteenth century), Sadko (by Korovin), Prince Igor (by Konstantinovsky), Mazepa (by Shlepyanov) and in Kazan Opera Theatre for Carmen (by Golovin).

Among the last works: Cleopatra by Massenet (Perm), Cherevichki (Cagliari, Italy), Don Giovanni (Verona), Giselle, Swan Lake, Don Quichotte (Tokyo), Petrushka (Glasgow), Karamazovy Brothers (Essen), Giselle (Seoul).