He was born in 1959 in Austria. He studied lighting design in Munich, Germany, and advanced his studies at Stanford University in California. He started working as a set/lighting designer in 1986. He has worked on various opera productions in Monte Carlo, Würzburg, Tokyo, Dresden, Nice, Thessaloniki, Bologna, Palermo, Madrid, Rome, Sao Paulo, Paris, Tel Aviv, Seoul, Trieste, Luxembourg, Helsinki...as well as for festivals such as the Rossini Festival, Mozart Festival, Salzburg, Opera Festival in Istanbul, etc. 

Some of the directors who he has collaborated with are: Herbert von Karajan, Daniele Abbado, Giancarlo Del Monaco, Hugo de Anna, Margarethe Wallmann, Gustav Kuhn, Peppe de Tomaso, Yekta Kara, Sabine Bode, Reto Nickler, Jerome Savary, Renzo Giacchieri, Georg Rootering, Franziska Severin, Mario Corradi, Patricia Panton, Tebe Harms Klin, Jonathan Eaton, Harry Kupfer, Hasko Weber, Flavio Trevisan, Herbert Wernicke, Karoline Gruber, Lluís Pasqual, Siegwulf Turek, Luigi Alva, Pier Luigi Pizzi, Ulrich Peters, Tobias Wellemeyer, Thomas Krupa and others.

Od početka karijere u Teatru Verdi u Trstu sa Poslednjim divljakom Đankarla Menotija, u režiji istog autora, Vilijam Orlandi radi na celokupnom operskom repertoaru. Radio je u najprestižnijim pozorištima širom sveta: Teatru San Karlo u Napulju, Milanskoj Skali, Teatru Kolon u Buenos Ajresu, Velikom teatru u Ženevi, Pariskoj operi, Nemačkoj državnoj operi i teatru Unter den Linden u Berlinu, Teatru Real u Madridu, NCPA u Pekingu, Gran Teatre del Liceu u Barseloni, Novom nacionalnom teatru u Tokiju, Areni u Veroni, Teatru Šanzelize u Parizu, Teatru Masimo u Palermu, Operi u Cirihu, Finskoj nacionalnoj operi u Helsinkiju, Škotskoj operi u Glazgovu, Kovent Gardenu u Londonu i mnogim drugim... Sarađivao je sa brojnim rediteljima kao što su Virdžinio Pučer, Piter Justinov, Alberto Fasini, Đino Landi, Džozef Li, Hening Brokhaus, Lorenco Marijani, Diter Kaegi, te uspostavio naročito plodnu i trajnu saradnju sa Gilbertom Defloom, a nedavno i sa Đankarlom del Monakom.

From his beginnings at the Teatro Verdi in Trieste with The Last Savage by Gian Carlo Menotti, directed by the same author, William Orlandi has been working on the entire opera repertoire. He has worked in the most prestigious theaters throughout the world: Teatro San Carlo in Naples, Milan La Scala, Teatro Colón in Buenos Aires, the Grand Theater of  Geneva, the Paris Opera, German State Opera and Theater Unter den Linden in Berlin, the Teatro Real in Madrid, NCPA in Beijing , the Gran Teatre del Liceu in Barcelona, New National Theater in Tokyo, the Verona Arena, the Theater des Champs-Elysees in Paris, Teatro Masimo in Palermo, the Opera in Zurich, the Finnish National Opera in Helsinki, the Scottish Opera in Glasgow, Covent Garden in London and many others... He has collaborated with numerous directors such as Virginio Pucher, Piter Ustinov, Alberto Fassini, Gino Landi, Joseph Lee, Henning Brockhaus, Lorenzo Mariani, Dieter Kaegi; he has established a particularly fruitful and lasting collaboration with Gilbert Deflo, and recently with Giancarlo del Monaco as well.

For over twenty years present as Conductor at the Teatro Sociale of Rovigo, internationally renowned Oboist and Conductor. He awarded in 2004 with the San Francesco Prize city of Rovigo as leading exponent of the Rodigina culture for artistic merits, he graduated at the F. Venezze conservatory in Rovigo with honors and honors under the guidance of Professor Franco Volpe, for over thirty years present on the international scene in the most prestigious Chamber concerts and theaters in the world. He started very young as oboist collaborating with the most important orchestras of the national panorama among these Orchestra della Scala of Milan, Orchestra of the Teatro la Fenice of Venice, Regional Orchestra of Tuscany, Chamber Orchestra of Padua and Veneto, Orchestra Toscanini of Parma, Orchestra dei Pomeriggi Musicali of Milan, OFV, etc., with internationally renowned conductors and soloists, J. Basmet, L. Harrel, M. Tipo, M. Horne, K. Ricciarelli, R. Blake, U. Ughi, A. Specchi, S. Accardo, M. Brunello, P. Maag, M. Campori, G. Sinopoli, G. Ferro, E. Inbal, K. Penderecki, R. Boninge, B. Campanella, M. Campori, M. Arena, D. Renzetti, etc. For about twenty years he has undertaken the activity as conductor with great success, especially in the opera repertoire that has seen him protagonist in the most important and prestigious stages of the world among these: San Carlo di Napoli, National Theater of Maribor (Slovenia ), Serbian National Theater of Belgrade, Skopje National Theater (Macedonia), Tbilisi National Theater (Georgia), Kazan National Theater (Russia), Bolshoiy Theater of Minsk (Belarus), Beirut (Lebanon), Haifa National Theater (Israel), Savonlinna Opera Festival (Finland), China Hangzhou Xi’an, Theater of Chendu and Xiamen, Seoul (Korea) Art Center, Manaus National Theater (Brazil), Charlotte National Theater (United States of America), Puccini Festival of Torre del Lago, Donizetti Theater of Bergamo, La Fenice Theater of Venice, Savona Theater, Sociale of Rovigo, Ente Luglio Trapanese of Trapani, Ancient Theater of Taormina, Politeama Theater of Palermo, Teatro delle Verdure of Palermo, Molfetta Theater, Viterbo Municipal Theater, Livorno Goldoni Theater, Ferrara Municipal Theater, Gorizia Municipal Theater, Treviso Municipal Theater, Vicenza Municipal Theater, Vicenza Theater, Bassano Theater, Vittorio Veneto Theater, ERT Theater of Athens, Casino Theater of San Remo, Kaukaso Philharmonic Theater (Russia) etc .. Among his next engagements a Ballet on music by W.A. Mozart and a work of Cimarosa at the San Carlo of Naples, 150th anniversary of the National Theater of Belgrade with Puccini's Manon Lescaut, a Cavalleria Rusticana of Mascagni directed by K. Ricciarelli at the Taranto Opera Festival, a new production of Madama Butterfly of Puccini at the National Theater of Maribor with the direction of P. Maestrini and in February in Kazan in Russia at the Jalapin Festival with two productions of Nabucco and Rigoletto.

For about 8 years he was Artistic Secretary of the Filarmonia Veneta Orchestra and from 2009 to 2016 Artistic Director of the Sociale of Rovigo. Winner of the National Competition for teaching in conservatories, ranking in the first places, he sees himself as tenured professor at the F. Venezze conservatory in Rovigo.

In the 2019/2020 season, he participated in the preparation and conducted the premieres of the opera G. Puccini's Manon Lescaut, which was co-produced by the National Theater in Belgrade and the Opera and Theatre Madlenianum.

Date of birth: November 6, 1985, Belgrade

He graduated from "Lujo Davičo" Ballet High School in the class of Professor Borislava Durić in 2004. In the same year, he got a permanent engagement with the National Theatre ballet ensemble, where he began his professional career. In this theatre, he has the status of the third soloist and he performs a large number of solo roles in both classical and contemporary ballet repertoire of the National Theatre. At the same time he has developed as a choreographer. As an author, he choreographed three contemporary ballet performances: Crossroads, A Place for Us, Imprints and two opera performances: Andrea Chénier and At Dawn, also at the National Theatre. He is a three-time finalist of the competition programme of the Festival of Choreographic Miniatures. He has participated in a large number of seminars both local and international at which he has improved his dance performance and choreography. As one of the selected dancers he participated in the international project From Kylián to the Balkans, where he worked with the soloists of the famous ballet company of the Nederlands Dans Theater NDT and performed parts from the opus of the famous choreographer Jirí Kylián. With the National Theatre ballet ensemble he has had guest performances in Spain, Italy, Czech Republic, Colombia, Greece, Mexico, Canada, Egypt, Bosnia and Herzegovina, Montenegro ...

Roles in other theatres: Wolfgang Amadé (Opera and Theatre Madlenianum), Northern Fairy Tale (Opera and Theatre Madlenianum), Othello (Bitef Dance Company), Crossroads (BELEF), A Place for Us (Youth Centre Belgrade), Imprints (National Theatre in Belgrade).

Awards: 
Commendation at the Festival of Choreographic Miniatures in 2002 “Dimitrije Parlic” Award in 2010 for the performance in Six Dances by Jirí Kylián for extraordinary artistic and technical interpretation

Commendation by the National Theatre - Work Achievements of Exceptional Importance in 2010, 2012, 2021

“Encouragement” Award at the Festival of Choreographic Miniatures in 2013

Public Commendation for the ensemble of Women in D Minor and Long Christmas Dinner in 2017

Public Commendation for the ensemble of Alice in 2021

Public Commendation for the ensemble of Michelangelo in 2021

“Terpsichore” Award for the ensemble of Women in D Minor in 2017

Datum rođenja: 6.11.1985, Beograd.

Baletsku školu Lujo Davičo u klasi prof. Borislave Durić završio 2004. godine. Iste godine stupa u stalni angažman baletskog ansambla Narodnog pozorišta gde započinje svoj profesionalni rad. U svom matičnom pozorištu dobija zvanje III soliste i izvodi veliki broj solističkih uloga kako u klasičnom, tako i u savremenom repertoaru baleta Narodnog pozorišta. Istovremeno se razvija kao koreograf. Kao autor, potpisuje koreografiju za tri savremene baletske predstave: Raskršće, Mesto za nas, Otisci i dve operske predstave: Andre Šenije i Na uranku, takođe u Narodnom pozorištu. Tri puta je bio učesnik finalnog dela takmičarskog programa Festivala koreografskih minijatura. Učesnik je velikog broja seminara u zemlji i inostranstvu gde usavršava svoj rad kako na plesnom tako i na koreografskom polju. Učestvovao je kao jedan od odabranih igrača u međunarodnom projektu Kilijan Balkanu gde je radio sa solistima čuvene kompanije Holandskog plesnog teatra NDT i izvodio delove predstava iz opusa čuvenog koreografa Jiržija Kilijana. Sa ansamblom Baleta Narodnog pozorišta gostovao je u: Španiji, Italiji, Češkoj, Kolumbiji, Grčkoj, Meksiku, Kanadi, Egiptu, BiH, Crnoj Gori...

Uloge u drugim pozorištima:

Volfgang Amade (Opera i teatar Madlenianum), Severna bajka (Opera i teatar Madlenianum), Otelo (Bitef Dens Kompanija), Raskršće (BELEF), Mesto za nas (Dom omladine Beograda), Otisci (Narodno Pozorište Beograd).

Nagrade:

Pohvala Festivala koreografskih minijatura 2002.

Nagrada Dimitrije Parlić u predstavi Šest igara Jiržija Kilijana za izuzetnu umetničko-tehničku interpretaciju 2010.

Pohvala Narodnog pozorišta - Rezultati rada od izuzetnog značaja 2010, 2012, 2021.

Nagrada Ohrabrenje Festivala koreografskih minijatura 2013.

Javna pohvala za ansambl predstave Žene u d-molu i Duga Božićna večera 2017.

Javna pohvala za ansambl predstave Alisa 2021.

Javna pohvala za ansambl predstave Mikelanđelo 2021.

Nagrada Terpsihora za ansambl predstave Žene u d-molu 2017.

Mario Pavle del Monako je operski reditelj srpsko-italijanskog porekla, rođen 1993. godine u Rimu i potiče iz muzičke porodice operskih pevača i operskih reditelja.

U Beogradu završava gimnaziju i srednju muzičku školu na dva odseka, za klavir i solo pevanje (Kosta Manojlović, Mokranjac, Dr Vojislav Vučković).

2012. godine odlazi u Beč i tamo upisuje studije režije muzičkog teatra (operske režije) na prestižnom državnom Bečkom Univerzitetu za muziku i izvođačke umetnosti (Universität für Musik und Darstellende Kunst Wien) u klasi Reta Niklera, koji mu poverava asistenciju režije u operi Don Đovani Volfganga Amadeusa Mocarta već na samom početku studija.

Tokom školovanja je perfektno ovladao nemačkim, italijanskim i engleskim jezikom, a služi se i ruskim jezikom.

Za vreme studija režira opere: Plašt Đakoma Pučinija, Fiorentinsku tragediju Aleksandra fon Zemlinskog, Mocartovu Otmicu iz saraja i Masneovog Vertera.

2017. godine završava studije sa najvećim uspehom, stiče titulu magistra umetnosti (Magister Artium) i iste godine dobija specijalnu nagradu svog univerziteta za izuzetna postignuća tokom studija (Würdigungspreis MDW), uz poseban akcenat na diplomskoj režiji opere Verter Žila Masnea.

Nakon iskustva stečenog na festivalu u Salcburgu u operi Trubadur Đuzepea Verdija, odlazi za Nemačku, gde prihvata stalni angažman i dobija petogodišnji ugovor u pozorištu Mainfranken Theater Würzburg.

Između ostalog, postavlja na scenu dve opere za mlađe: Colas der Magier V. A. Mocarta, baziranu na operi Bastijan i Bastijena, i svetsku praizvedbu opere Siegfried, der kleine Drachentöter - A. Zibera, libreto: dr. Berthold Varneke. U sezoni 2021/2022 postavlja na scenu operu Kapuleti i Montegi V. Belinija.