Treće izvodjenje nove dramske predstave Milanković
Ponedeljak, 9. decembar 2013.
Vasilija Antonijević
MILANKOVIĆ
Režija: Aleksandar Nikolić
Muzika: Vera Milanković
Scenografija i kostim: Kosta Bunuševac
Igraju: Nebojša Dugalić, Dubravka Kovjanić, Andrija Daničić, Vera Milanković, Kosta Bunuševac
Ponovno okupljanje ekipe mjuzikla JADNICI održano je 23. decembra 2013. na Bel Etage-u Madlenianuma.
„JADNICI ŽIVE!“
Premijerna obnova mjuzikla Jadnici na našoj Velikoj sceni donosi nekoliko novina. Mjuzikl se vraća na scenu najpre jer smo spremni da kao kuća odgovorimo na mnogobrojne pozive gledalaca i uporna nastojanja da predstave, ipak, bude. Iz javnosti i pozorišnih krugova, stručnih, kao i onih drugih, dobijali smo iste signale. Svi su izražavali žaljenje što kultne predstave naše kuće nema na repertoaru. Od kada je premijerno postavljena, 2007. godine, igrana je do 2011. Obnavljamo je posle sedam godina i 43 odigrane predstave, sa istim autorskim timom, ali sa velikim promenama u podeli uloga. One se odnose, s jedne strane, na sasvim nove umetnike koji će poneti velike glumačke zadatke, kao što je to Nebojša Dugalić u ulozi Žana Valžana, ali i, sa druge strane, procenivši učinke i karaktere drugih, premestili smo ih na nove uloge, kao što smo učinili sa Dejanom Lutkićem i Srđanom Timarovim očekujući da će oni upravo u novoj postavci postati najtačniji i najsugestivniji tumači određenih likova.
Vraćamo se Les Miserablima dvojice autora Boublil-a i Schönberg-a posle novog velikog uspeha koji je ostvario mjuzikl Rebeka Silsvestera Levaia i Mihaila Kuncea na našoj sceni, uvereni da nam ovaj žanr postaje blizak, ali i zbog toga što se predstave veoma razlikuju, potpuno su drugačije i u muzičkom i u dramskom smislu i verujemo da će svaka imati svoju publiku.
Agencija koja zastupa autore mjuzikla Les Miserables, donela je 2010. godine odluku za sve kuće koje od tog trenutka postavljaju predstavu, izvesne promene u njenoj partituri, kako za orkestar tako i za vokalni i glumački deo uloga čime je još više težište pomereno ka ozbiljnoj muzici, ka operskom žanru. Posmatrano i naj taj način, mjuzikl koji je veliku popularnost ostvario u čitavom svetu, poseduje izuzetno visoke umetničke kvalitete ne samo u svome žanru već u celokupnoj muzičko-scenskoj produkciji.
Režija osvedočenog majstora mjuzikla, Nebojše Braadića, koji je na našoj sceni režirao i mjuzikl Rebeku, ocenjena je od strane onih koji su predstavu videli na našoj sceni, ali i po video zapisu u svetu, kao jedna od najboljih postavki uopšte.
Jedan od najvećih romana francuske i svetske knjiuževnosti, Jadnici Viktora Igoa ne prestaju da interesuju filmske, televizijske i dramske stvaraoce, pozorišne delatnike, a od trenutka kada su napisani, 1862. godine svojevrstan su bestseler u celom svetu. Sentimentalna, romantična priča, zaogrnuta u revolucionarne, dramatične, epske i tragične dogadjaje inspirisala je autore na lirsku, ali i dramatičnu muziku koja pleni slušaoce širom sveta. Brojni likovi, izuzetno reljefno ostvareni u romanu, sa kojima se identifikuju brojne generacije svih vremena i društvenih slojeva realizmu su dodali efemernost muzike, čime je mjuzikl dobio odlike svevremenosti i višeznačnosti uz pitku, ali veoma zahtevnu muzičku potku.
Izazovan za izvođače i autorski tim, privlačan za publiku, mjuzikl Miserables , pravi hit u celom svetu od svoje prve postavke u Londonu 1985. verujemo da će oživeti sve naše potrebe za lepim, humanim, dobrim i poštenim u svetu i trenutku u kome živimo. „Dok sam čitao Jadnike, čuo sam muziku“, rekao je jedan od autora mjuzikla, Schönberg. Dok slušamo i gledamo Jadnike, oživljavamo ceo jedan svet prošlosti sa najplemenitijim porukama budućnosti koje se primaju direktno i prirodno jer zvuče melodično, privlačno i uzbudljivo.
15. mart 2014. u 19:30
Velika scena MADLENIANUMA
Inscenacija i režija: Nebojša Bradić
Dirigent: Vesna Šouc Tričković
Scenograf: Geroslav Zarić
Kostimograf: Bojana Nikitović
Dizajn svetla: Srđan Jovanović
Organizator: Andreja Rackov
Asistent reditelja: Tadija Miletić
Vođa predstave: Vesna Ćurčić Petrović
LICA
Žan Valžan ......................Nebojša Dugalić
Inspektor Žaver ...............Dejan Lutkić
Fantina ............................Katarina Gojković
Tenardije .........................Srđan Timarov
Gospođa Tenardije ..........Nataša Marković
Eponina ...........................Branislava Podrumac
Marijus .............................Ivan Bosiljčić
Kozeta .............................Dubravka Arsić
Anžorla ............................Ljubomir Popović
Biskup iz Dinja ..................Zoran Leković
Gavroš .............................Marko Rapajić/Aleksa Stanilović
Mala Kozeta i Eponina......Katarina Tričković/Tijana Golemović
Orkestar Opere i teatra MADLENIANUM, koncertmajstor Vesna Janssens
Ansambl:
Marko Živković, Vladimir Lalić, Boris Postovnik, Ivan Debeljak, Srđan Mladenović, Boris Balunović, Vladimir Bulatović, Srđan Miletić, Nebojša Đorđević, Žarko Stepanov, Nenad Milanović, Ivan Plazačić, Nataša Radovanović, Nevena Đorđević, Dragana Radovanović, Jelena Nikolić Krneta, Dragana Tasić, Bojana Račić, Milena Moravčević, Tijana Ranđelović, Maja Ristić, Milena Živadinović, Zorana Kalapiš, Zorana Stanišić
Muzička priprema: Vesna Šouc Tričković, Vladimir Gligorić, Dragana Anđelić Bunjac · Lektor: Paul Murray · Sufleri: Zorica Popović i Silvija Pec · Audio realizacija: Dušan Arsikin · Video realizacija: Zvonimir Jelušić · Realizacija svetla: Vladimir Krunić · Prevod i titl: Dragan Stevović · Majstor pozornice: Milan Ćirić · Šminka i frizure: Mirjana Rakić · Garderoba: Tanja Vuksanović i Miladin Pavićević · Asistent organizatora: Verica Đukić
fotografije: Marina Lukić (Gloria)
ZAFIR HADZIMANOV
Zafir Hadzimanov was born at Kavadarci (Macedonia) on 25th December 1943, from father Vasil and mother Vera. In 1967 he enrolled the Faculty of Dramatic Arts in Belgrade and graduated as an excellent student in the class of Professor Mata Miloševic in 1967. Even as a student, he achieved extraordinary success in theatre, in the world of film and show business. He won prizes at all festivals of the time: Belgrade, Zagreb, Opatija, Split, Skopje, but also at the international festivals in Sopot (Poland) and Varadero (Cuba). He played the main roles in the films The Knife by Ž. Mitrovic and Macedonian Bloody Wedding by T. Popov, as well as in several other films and at the theatre stages in Belgrade (Theatre on Terazije, Atelje 212), Skopje (Drama Theater), Novi Sad (Serbian National Theatre) and Boston (Forum Theatre).
He was more popular among broad audience as the singer-songwriter dominant in the world of chansons, of his own creation, as well as the works of many other leading poets. Unlike anybody else in Serbia and Macedonia, he composed tens of chansons and ballads to the verses of anthological poets, such as: Konstantin Miladinov, Kosta Racin, Blaže Koneski, Aca Šopov and Radovan Pavlovski, as well as of such celebrities as Miloš Crnjanski, Duško Radovic, Desanka Maksimovic, Brana Crncevic... He received all kinds of awards, starting from Struga Poetry Evenings in 1975, all the way to the International Chansons Festival in Zagreb in 2002 and in 2003. Alone, or together with his wife, Senka Veletanlic-Hadžimanov, he recorded many records, discs, TV shows. He performed at the stages such as Olympia (Paris), Opera House (Sydney), Bolshoi Theatre (Moscow)...
He was awarded the annual actors’ prize of the Serbian National Theatre in Novi Sad, the special award for high accomplishments in the domain of acting by the Association of Dramatic Artists of Serbia, the Yugoslav Show Business Award The Distinguished Artist of Serbia, Lifetime Achievement Award by Skopje Radio Ladybug (in 2002), Lifework Award granted by the voting of the spectators of TV Jesenjin (in 2003), and the Golden Masque Award for spreading of Macedonian culture all over the world (in 2006).
Zafir Hadžimanov writes poetry in two languages: Serbian and Macedonian: Chansons in Paper, Dog Singer (Recognition Award Stražilovo), Asylum, National Poet, Brother, but he also wrote a book of short stories Sour-Merry. In 2007 he published a CD named There Was May, with his greatest festival successes.
Zora Mojsilovic- Popovic, film and theatre costume designer. She occupies herself with fashion design of unique clothes and is an associate professor at The Faculty of Applied Arts in Belgrade where she has a chair for costume. She is the author of costumes for more than seventy theatre performances and is a winner of prestigious Sterija Award for costume design, Ardalion Award at Uzive Festival and Golden Turkey Award at the festival in Jagodina. She created costumes for seven featue films among which are the following: Life is a Miracle by Emir Kusturica, Gucha by Dušan Miletic, The Powder Keg by Goran Paskaljevic and Here and There by Darko Lungulov.
YURI ALEXANDROV
Yuri Alexandrov graduated on the Leningrad State Conservatoire as a pianist in 1974 (class of Professor Umanskaya) and from the faculty of musical stage direction in 1977 (class of senior lecturer M. Slutskaya). His degree production was Donizetti's Don Pasquale at the Byelorussian State Academic Bolshoi Theatre. From 1978 to the present day Mr. Alexandrov has worked as a stage director at the Mariinsky Theatre. His work is natural and varied, and for him there is no strict, canonical understanding of opera. He boldly adapts, analyses and experiments with classical opera texts. Moreover, his art is marked by a unique aesthetic, original thoughts, paradox and the unexpected. Following the thought process in his productions is both intriguing and complex, filled as it is with allegory and metaphysical ideas. The metaphor is one of the Maestro's main devices, exposing and embodying the internal, deeply spiritual, philosophical and poetic world of the director.
Productions he has staged at the Mariinsky Theatre have always proved to be significant events in St Petersburg's cultural life, among them Donizetti's Il campanello di notte (The Night Bell) and Don Pasquale, Gluck's The Queen of May, Banevich's The Story of Kai and Gerda, Mozart's Don Giovanni, Stravinsky's Mavra, Mozart's The Marriage of Figaro, Tchaikovsky's Mazepa, Prokofiev's Semyon Kotko (awarded Russia's highest theatre prize, the Golden Mask, in 1999 in the categories "Best opera production", "Best opera director", "Best opera designer" and "Best opera conductor") and Verdi's Aida, Don Carlos and Othello. One of Russia's greatest musical theatre directors, Yuri Alexandrov has won a reputation as an innovator in opera. In 1987 he founded the Chamber Music Theatre. Initially conceived as a creative "laboratory", with time it developed into the professional St. Petersburg Chamber Opera Company, famed not only throughout Russia but abroad too. Yuri Alexandrov has staged over two hundred productions at opera houses throughout Russia and abroad, among them Donizetti's L'elisir d'amore (The Love Potion) (Riga), Musorgsky's Khovanshchina (Moscow, Bolshoi Theatre), Mozart's Don Giovanni (Vilnius), Borodin's Prince Igor, Tchaikovsky's Eugene Onegin (Turkey), Tchaikovsky's Cherevichki and Eugene Onegin, Mozart's Don Giovanni (Italy) and Tchaikovsky's The Queen of Spades (USA). One recent premiere directed by Mr. Alexandrov that set the opera world ablaze was Puccini's Turandot, which he staged in June 2003 at the Arena di Verona (Italy). It was an unprecedented event: for the first time ever the theatre had invited a Russian director to stage one of the classic Italian operas. Yuri Alexandrov and conductor Valery Gergiev work together in August 2005 at the Arena di Verona, and staged the opera Boris Godunov on the largest open scene.
VYACHESLAV OKUNEV
Graduated from Leningrad Institute of Theatre, Music and Cinema (prof. I. G. Sigal). Designed more than 250 opera and ballet productions. In 1977 made his debut with Giselle (Mariinsky Theatre). At Mariinsky Theatre designed operas Love for Three Oranges, Mavra, Kashchey the Immortal, Il Campanillo, May Queen. Le nozze de Figaro, ballets La Sylphide, Petrushka, Svadebka, Coppelia, Anna Karenina (music by Pyotr Tchaikovsky), Inspector (music by Alexander Tchaikovsky) etc. At the Bolshoi Theatre of Russia: La Sylphide, Russian Hamlet. At the Bolshoi Theatre of Byelorussia: The Magic Flute, Katerina Izmailova, Tosca, Fire-bird, Le Sacre du printemps, Rogneda, (music by Mdivani), Undine (music by Henze), Don Quichotte. At the Boris Eifman Ballet Thetare: Tchaikovsky, Karamazovy Brothers, Red Giselle, Russian Hamlet, Don Juan by Moliere. At present, Okunev is the chief designer of Musorgsky Opera and Ballet Theatre (St. Petersburg), where he designed Tsar Saltan, Carmen, Otello, La Traviata, The Sleeping Beauty, Swan Lake, Nutcracker, Don Quichotte. Among the productions of classical Russian operas: War and Peace, Fiery Angel (Perm), Tsar's Bride (Kiev), Boris Godunov (Odessa), Evgeny Onegin (St. Petersburg Opera), Ruslan and Ludmila (Tchelyabinsk). At Mariinsky Theatre Vyacheslav Okunev reconstructed historical sets for Khovanshchina (by Fedorovsky), Petrushka (by Benois), Coppelia (after artists of the nineteenth century), Sadko (by Korovin), Prince Igor (by Konstantinovsky), Mazepa (by Shlepyanov) and in Kazan Opera Theatre for Carmen (by Golovin).
Among the last works: Cleopatra by Massenet (Perm), Cherevichki (Cagliari, Italy), Don Giovanni (Verona), Giselle, Swan Lake, Don Quichotte (Tokyo), Petrushka (Glasgow), Karamazovy Brothers (Essen), Giselle (Seoul).
Vladimir Kranjcevic, (Zagreb 1936) conductor, graduated the piano from Music Academy in Zagreb in the class of professor Vladislav Šaban. He studied conducting with Slavko Zlatic in Zagreb and Igor Markevic in Monte Carlo. Ha won his Master Degree in 1980 in the class of Vojislav Ilic. He built his career as a conductor of numerous choirs, orchestras and ensembles. He was the chief-conductor of Vatroslav Lisinski Chamber Orchestra, Ivan Goran Kovacic Academy Choir, Croatian Radio Television Choir, Zagreb Madrigalists, Croatian Radio Television Symphony Orchestra, RTS Music Production, he was Director of Opera of Croatian National Theatre in Zagreb (1994-2002) art manager and founder (1971) and since 1994 till 2006, manager of the Festival of Varaždin Baroque Nights. Since 1978 up till these days he has been teaching at the Music Academy in Zagreb. He is the winner of numerous awards, recognitions and decorations. As a conductor and pianist single-handed and with ensembles, he gave guest performances in Austria, Germani, France, Italy, Switzerland, Spain, Greece, Great Britain, Democratic Republic of Korea, countries of the former Soviet Union, China and Cuba. His conducting has been recorded in more than two thousand minutes of permanent recordings for radio and television, about twenty gramophone records and CDs, prevalently Croatian music but also works from the world music literature. A lot of works by Croatian composers and also numerous works from the Croatian national music heritage, premiered under his buton.
VLADIMIR ANDRIC
He was born in Valjevo in 1972. For the role of Dandini in the opera Cinderella he was awarded by the National Theatre in 1999 and was also granted the award Davidoff for promising creativity and talent. He was the winner of the International Contest Jeunesses Musicales in Belgrade in 1998. He won the third prize at the competition within the International Festival George Enescu in Bucharest in 2001. At the stage of the Opera of the National Theatre in Belgrade he realized a great number of important roles in the following operas: Don Giovanni, Madam Butterfly, The Barber of Seville, Faust, Eugene Onegin, The Elixir of Love, and The Magic Flute. At Madlenianum Opera and Theatre he performed in the operas: Il Signor Bruschino, The Wise Girl, La Traviata and Madam Butterfly.
She completed her secondary musical education in Belgrade at the school Stevan Mokranjac, the department for theory and the department for solo singing in the class of Mirjana Vlaovic. She graduated from the Faculty of Music Art in Belgrade at the Department for General Musical Pedagogy. After her studies at the Faculty of Music Art in Belgrade and the Academy of Arts in Novi Sad, she studied solo singing in the class of the principal male singer of Bucharest Opera, Oktav Enigaresku. She received her M.A. degree in the class of the Professor Vera Kovac Vitkai. Even during her studies, the experts noticed her dark coloured voice, equalized in all registers, as well as her capacity to shape phrases. Tanja Obrenovic is a soloist of the Opera of Madlenianum, where she realized roles in the operas The Secret Marriage, by D. Cimarosa, The Wise Girl, by K. Orff, Two Widows, by B. Smetana, Cosi fan tutte, by W. A. Mozart and the Tales of Hoffmann, by J. Offenbach, La Traviata, by G. Verdi and Madam Butterfly, by G. Puccini.
Stefan Sablic, set designer and a musician, graduated from the Faculty of Dramatic Arts in Belgrade, in the class of professor Egon Savin. He proceeded with his post-graduate studies of theatre directing at the Universiti in Tel Aviv. Up till nowadays he directed a series of performances such as: The Moon on the Flame by Sanja Domazet, (Belgrade Drama Theatre 2009) DNK by Stiven Belber (Atelje 212, 2008), The Baron in the Trees by Italo Calvino (Boško Buha Theatre, 2008), The Indian wants to Bronx by Israel Horovitz (JCCA, 2007), The Blond Jewess by Isak Samokovlija (Zvezdara Theatre, 2007), Jevrem’s Life by Aleksandar Djaja (Theatre on Terazije, 2006), The Old Lady’s Visit by Fridrich Direnmat (Bitef Theatre, 2006), The Stendhal Syndrome by Terrence Mackenli (Serbian National Theatre), Suspicious Person by Branislav Nušic (Kruševac National Theatre, 2004) Blacksmiths by Miloš Nikolic, (The National Theatre Belgrade, 2003). Visiting Mr. Green by Jeff Baron (Atelje 212, 2002), The Soldiers Tale by Stravinski/Ramuz (Tel Aviv, 2001), Life from the Beginning by Miroslav Momcilovic (Cult Theatre 2000), Elektra by Danilo Kiš (Atelje 212, 1999), Damned Kovalski by Nebojša Romcevic (Atelje 212, 1998). He worked at the laboratory for directors in Lincoln Centre in New York.
