Gostovanje Narodnog pozorišta u Beogradu
opera
Dirigent: Đorđe Stanković
Režija: Borislav Popović
Obnovila: Ivana Dragutinović Maričić
Solisti:
Lj. Begović, Lj. Popović, S. Savičić-Sekulić, N. Babić k.g, N. Jakovljević, S. Lovčević, P. Žarkov, P. Gligorić
Gostovanje Narodnog pozorišta u Beogradu
opera
Dirigent: Stefan Zekić
Režija: Jagoš Marković
V. Andrić, S. Pižurica, A. Stamenković, N. Babić k.g, Lj. Vraneš, T. Mitić, D. Bajić, D. Đorđević, S. Radin, M. Jelić, P. Žarkov
Gostovanje Narodnog pozorišta u Beogradu
DON KIHOT · balet · L. Minkus
Baletski ansambl i Orkestar Narodnog pozorišta
Gostovanje Umetničkog ansambla kineske provincije Henan
Umetnici ovog Ansambla dolaze iz dve profesionalne trupe. Jedna je Umetnička trupa pesama i igara provincije Henan, a druga Džongjue Šaolin Zen borilačka akrobatska trupa.
Gostovanje Narodnog pozorišta u Beogradu
Dirigent: Đorđe Pavlović
Režija: Borislav Popović
Obnovila: Ivana Dragutinović Maričić
Solisti:
S. Savičić Sekulić, D. Maksimović, D. Matić, D. Filipović, T. Mitić, S. Kastratović, M. Markovski, S. Živković, M. Šljivić, S. Radin, P. Gligorić
Gostovanje Narodnog pozorišta u Beogradu
Dirigent: Ana Zorana Brajović
Režija: Nebojša Bradić
Solisti:
A. Angelov, A. Stamenković, J. Sinadinović, M.Jovanović, I. Raković-Krstonošić, I. Živadinović, D. Đorđević, M. Pantelić, M. Markovski, V. Matić
Opera Karmen Žorža Bizea – jedan je od najsnažnijih umetničkih izraza trijumfa strasti nad sentimentalnom ljubavlju.
Bizeov Don Hoze, čovek je koga sudbinsko određenje izvodi iz inercije svakodnevice i blede emotivne obaveznosti i uvlači u dubinu nečeg što ne poznaje – svet strasti izvan zakona.
This play is performed in a different way than what you expect. First of all, the play is divided in two sides, the left and the right. Further, you choose which side to watch and your experience will be different depending on the choice you have made. There is a dance performance on one side and a drama performance on the other. Each side has its own story. To fully understand one side, you have to follow the other as well. What do you like more? Choreodrama dance or dramatic text?
Premiere: 30.06.2018
Large Stage of the Madlenianum
Being always turned to young people, in its jubilee season Madlenianum started a months-long drama-music studio in which a unique creative process took place involving young actors and singers who were making a play which they created on their own, a play in which they chose characters, made a story and wrote their confession. It was premiered on the Large Stage at the very end of the season and judging by audience, this season we will see it again.
First revival – 14th October, 2018 at 19:30 h, Large Stage
Conductor: Djordje Stankovic
Staging and Directing: Yuri Alexandrov
Revival Directors: Vesna Curcic-Petrovic and Tadija Miletic
Set and Costume Designer: Vjaceslav Okunjev
Assistant Director: Tatjana Karpačeva
Assistant to Director and Stage Manager: Vesna Curcic-Petrovic
Soloists: Nikola Kitanovski, Branislava Podrumac, Marko Pantelic, Vasa Stajkic, Ljubomir Popovic
The season ahead of us, 2018/2019, brings new premieres, but also the revivals of some older plays that our audience loves, but which due to circumstances have not remained long enough on the stage. We are beginning with the premiere revival of the opera Pagliacci by Ruggero Leoncavallo, in direction and staging of the well-known and acclaimed Russian director Yuri Alexandrov, with a refreshed team of the performers.
Pagliacci is a real example of veristic opera with great arias that have been sung by master world’s soloists, from Caruso to Pavarotti, with a strong, exciting high thrilling drama plot. The plot intertwines fiction and reality, bringing a scene into scene, stirring the privacy of the protagonists and their roles in a particular type of the Renaissance theatre called commedia dell’arte. Passion, love, jealousy, the intensity of emotions shall lead to tragedy.
Modern, erotic, dramatic, exciting and artistically splendid staging is arranged by the old acquaintance of Madlenianum, the guest director from St. Petersburg, Yuri Alexandrov who has already set the modernized version of Verdi’s La Traviata at Madlenianum. We have also had the opportunities to see his settings of the operas Not Love Alone by Shchedrin and Betrothal in a Monastery by Prokofiev two seasons ago when Saint-Petersburg Opera had a guest visit in our house.
In the explication of his direction Yuri Alexandrov says: “I am, first of all, guided by my attitude towards theatre, to which I dedicated my life. A theatre which is a subject of hatred and an object of worship, which is cynical and vulnerable, which oppresses and releases, a theatre of slaves and gods! A theatre of artists and buffoons! You can enumerate endlessly. In Pagliacci are my contemplations about inside of a theatre, the theatre which audience does not know. It is in a way the product of my struggle, my disappointments and enthusiasm, victories and defeats ... One of the topics of this play is the relationship between theatre and audience, more precisely- relationships with those ones that stand between theatre and audience.”
U sredu, 19. septembra sa početkom u 19.30 na časova na Velikoj sceni Hrvatskog narodnog kazališta u Varaždinu izvešće se drama ŽANKA, koja je svoju premijeru kod nas imala u novembru prošle godine.
Uloge:
Jelica Sretenović (Žanka)
Milan Mihailović – Caci (Tošić, Nušić, putujući glumac)
Petar Mihailović (islednik, Aleksandar, Moris)
Reditelj: Milica Kralj
Scenograf i kostimograf: Milica Bajić
Kompozitor: Miroljub Aranđelović – Rasinski
