Sunday, 26th 2014 at 19:30

Large Stage of Madlenianum

CONCERT CELEBRATION

On the occasion of 15 years of Madlenianum

Conductor: Stanko Jovanovic

Programme:

V. A. Mozart: the overture from the opera Thus Do They All – The Orchestra of Madelenianum
E. Grieg: Peer Gynt, Solveig’s Song – Jasmina Stojkovic
R. Leoncavallo: Pagliacci, Kania Aria – Janko Sinadinovic
B. Smetana: Prologue, Peasants’ Chorus – The Chorus of Madlenianum
G. Verdi: La Traviata, Germon’s Aria – Aleksa Vasic
G. Verdi: La Traviata, duet – Olga Malevic – Djordjvic, Sasa Stulic
R. Leoncavallo: Pagliacci, Harlequin Aria – Goran Strgar
R. Leoncavallo: Pagliacci– The Chorus of Madlenianum
V. A. Mozart: The Magic Flute, Tamino Aria – Tibor Hevesi
M. Kunze - S. Levay: Rebecca, Time in a Bottle – Branislava Podrumac
A. Boublil - K. M. Schonberg: Les Miserables, Empty chairs at empty tables – Ivan Bosiljcic
E. Grieg: Peer Gynt, In the Cave of the Mountain King –Tanja Obrenovic, Nenad Nenic, Jasmina Stojkovic
B. Smetana: The Two Widows, Anezka Aria – Tanja Obrenovic
B. Smetana: The Two Widows, finale, polka – The soloists, chorus and orchestra of Madlenianum

The Chorus of Madlenianum
Chorus prepared by: Biserka Vasic

The Orchestra of Madlenianum
Concertmaster: Vesna Janssens

Stage Manager: Vesna Curcic-Petrovic
Organizer: Andreja Rackov

Light Designer: Srdjan Jovanovic · Video Realization: Zvonimir Jelusic · Sound Realization: Dusan Arsikin · Regulation Master: Vladimir Krunic · Stage Master: Milan Ciric · Make-up and hairstyle: Mirjana Rakic · Wardrobe: Tanja Vuksanovic i Miladin Pavicevic

Gaetano Donizetti
THE ELIXIR OF LOVE
Opera for Youth
(Abridged version)

Libretto: Felice Romani
Translation: Tadija Miletic

Art Manager: Stanko Jovanovic
Directing and Staging: Tadija Miletic
Piano Accompaniment: Vladimir Gligoric
Set Designer: Miras Vuksanovic
Costume Designer: Snezana Pesic Rajic
Executive Producer: Andreja Rackov

Nemorino
Vladimir Lalic
Tibor Hevesi

Adina
Nevena Tirnanic
Jovana Curovic

GIANNETTA
Ana Petrovic
Olivera Krljevic

Belcore
Ivan Plazacic

Dulcamara
Mihailo Sljivic
Mihailo Basta

Stage Manager: Vesna Curcic Petrovic
Vocal Pedagogues: Tanja Obrenovic, Nenad Nenic
Music Preparation: Vladimir Gligoric
Lightning Realization: Milos Nesic
Sound Realization: Dusan Arsikin
Prompter: Zorica Popovic
Stage Master: Milan Ciric
Make-up and Hairstyle: Mirjana Rakic
Wardrobe: Tanja Vuksanovic i Miladin Pavicevic

Opera for Young Audience

The opera The Elixir of Love of Gaetano Donizzeti is the continuation of our programme for young audiences and children that has begun this year with the opera The Magic Flute of V.A. Mozart, wishing to create the opera offspring, future fans of the opera art. The opera is performed in Serbian language, in the abridged version and with the piano accompaniment, in order to be available to the audience from the inner parts of our country as well, since they are without stage capacities for complete operas performing. 

The Elixir of Love is a comic opera woven of the story about joy, jealousy, falling in love, dancing and love before all. The beautiful Adina reads the story about the elixir of love which solves all love problems and the young Nemorino sees this as the way make Adina finally fall in love with him. Arrival of a doctor Dulcamara in the village takes place at the right moment. Nemorino buys from him the elixir of love thus beginning a series of funny and interesting events that show all what is a person in love ready to do. In the end, the most important is to meet true love, discover real values in life and confirm that life has the real meaning only if it is shared with the person you love.

Directed and dramatized by Tadija Miletic, the opera begins with the murmur and crowd of a big market where, among all other stuff, the elixir of love can be bought as well. Directing concept abolishes so called “fourth wall” and dramatic action takes place everywhere, as well as around the audience. The Project Art Manager is a conductor Stanko Jovanovic, with the piano accompaniment of the pianist Vladimir Gligoric. The legendary aria  “Una furtiva lagrima“ is one of the most famous and the most magnificent works of opera creativity, but in the performance of the soloists Vladimir Lalic and Tibor Hevesi it even gets some new and youthful enthusiasm. 

„ LES MISERABLES ALIVE! “

The premiere renewal of the musical Les Miserables on our Large Stage brings a few novelties. Before all, the musical is back to the stage because we are as a house ready to respond to numerous calls of spectators and persistent efforts to let the performance be, notwithstanding. From the public and theatrical circles, professional and those others as well, we have been receiving the same signals. All have been expressing regret that the cult performance of our house is out of the repertoire. Having been premiered in 2007, the play was performed until 2011. We are renewing it after seven years and 43 performances, with the same team of authors, but with big changes in casting. They relate, on the one hand, to completely new artists who are to carry great acting assignments, such as Nebojsa Dugalic in the role of Jean Valjean, but on the other hand, estimating the effects and features of the others, we moved them to the new roles, as we have done with Dejan Lutkic and Srdjan Timarov, expecting them to become the most correct and the most suggestive interpreters of certain characters in this new setting. 

We are going back to Les Miserables of the two authors, Boublil and Schönberg after the new great success achieved by the musical Rebecca of Sylvester Levay and Michael Kunze on our stage, convinced that this genre is becoming close to us, but also because the plays differ a lot, they are completely different, both in music and drama sense and we believe that each of them will have its own audience. 

The agency representing the authors of the musical Les Miserables made a decision in 2010, referring to all houses setting the performance from that point of time, certain changes in its score, both for the orchestra and for vocal and acting part of roles, thus even more shifting the focus towards classical music, towards opera genre. Even thus viewed, the musical that has achieved the great popularity around the world has very high artistic qualities, not only in its genre, but in the whole music-stage production.

Directing of the proved musical master, Nebojsa Bradic, who has already directed the musical Rebecca on our stage, is evaluated by those who have seen the play on our stage, but also by video in the world, as one of the best settings in general.  

One of the greatest novel of French and the world literature, Les Miserables by Victor Hugo, does not stop to be interesting for film, television and drama artists and drama operators and from the moment it was written in 1862 it has been a kind of bestseller all over the world. A sentimental, romantic story, disguised in revolutionary, dramatic, epic and tragic events, inspired authors to lyric and dramatic music as well that captivate audiences worldwide. Many characters, exceptionally relief generated in the novel, who numerous generations of all times and social levels identify with, added ephemerality of music to realism, so the musical got the features of all time and ambiguity with a potable, but very demanding music weft.   

Challenging for the performers and the team of authors, appealing for the audience, the musical Miserables has been making hits in the whole world since its first premiere performance in London in 1985, so we believe it will revive all our needs for nice, humane, good and fair in the world and time we live in. “While I was reading Les Miserables, I heard the music”, said one of the authors of the musical, Schönberg. While listening to and watching Les Miserables  we revive an entire world of the past with the noblest messages of the future that are received directly and naturally, since the sound melodically, appealing and exciting.  

Dirigent: Stanko Jovanović

Program:

V. A. Mocart : uvertira iz opere Tako čine sve – orkestar Madlenianum

E. Grig: Per Gint, Solvejgina pesma – Jasmina Stojković

R. Leonkavalo: Pajaci, arija Kania – Janko Sinadinović

Ž. Ofenbah: Hofmanove priče, Barkarola – hor Madlenianum

Đ. Verdi: Traviata, arija Violete – Olga Malević – Đorđević

Đ. Verdi: Traviata, arija Žermona – Aleksa Vasić

R. Leonkavalo: Pajaci, arija Arlekina – Goran Strgar

E. Grig: Per Gint, Bura – orkestar Madlenianum

V. A. Mocart: Čarobna frula, arija Tamina – Tibor Heveši

M. Kunce - S. Levai: Rebeka, Vreme u boci – Branislava Podrumac

E. Grig: Per Gint, U pećini Gorskog kralja –Tanja Obrenović, Nenad Nenić, Jasmina Stojković

A. Bublil - K. M. Šenberg: Les Miserables, Stars – Dejan Lutkić

V. A. Mocart: Tako čine sve, arija Dorabele – Tanja Obrenović

R. Leonkavalo: Pajaci, hor iz II čina– hor Madlenianum

Hor Madlenianum
Hor pripremila: Biserka Vasić

Orkestar Madlenianum
Koncertmajstor: Vesna Janssens

Inspicijent: Vesna Ćurčić-Petrović
Organizator: Andreja Rackov

Dizajn svetla: Srđan Jovanović
Realizator videa: Zvonimir Jelušić
Realizator tona: Dušan Arsikin
Majstor regulacije: Vladimir Krunić
Majstor pozornice: Milan Ćirić
Šminka i frizure: Mirjana Rakić
Garderoba: Tanja Vuksanović i Miladin Pavićević

HAPPY DAY - petak, 31. januar 2014.
Prodaja karata sa 60% popusta na označene predstave!
Broj karata je ograničen.

Od 8. februara 2014. ponovo će na repertoaru Opere i teatra "Madlenianum" biti izvođena predstava "Ledeni svitac" koja je na premijeri 15. juna 2005. godine i brojnim potonjim reprizama naišla na izuzetan prijem kod publike i kritike. Monodrama po motivima istoimenog romana francuskog pisca srpskog porekla Vladana Radomana svojom premijerom otvorila je Malu scenu "Madlenianuma", a sada će biti igrana u novom prostoru - na Velikoj sceni, sa gledalištem na istoj. Adaptaciju romana uradio je Jovan Ćirilov, režija je Tanje Mandić Rigonat, a igra briljantni Goran Jevtić. Tanja Mandić Rigonat i Goran Jevtić su posle rada na "Ledenom svicu" ostvarili još čitav niz uspešnih saradnji na sceni, te obnova "Ledenog svica" prosto podrazumeva još i viša umetnička scenska dostignuća usled njihove pozorišne zrelosti i iskustava koje sada imaju. Kostimograf predstave je Milena Jeftić Ničeva Kostić, a scenograf Aleksandar Denić koji ostvarivši realističan izgled stanice pariskog metroa čini da se monodrama "Ledeni svitac" u scenografskom pogledu itekako ističe u odnosu na većinu srpskih monodramskih projekata.

"Ledeni svitac" je ispovest mladog Vijetnamca koji otkriva pogled na tri sveta - na svet njegovog detinjstva u jednom nesrećnom delu Azije, na Zapadni svet, preko Francuske u kojoj se mladi Vijetnamac obreo usvajanjem, i na evropski Istok preko poočima Jugoslovena (Srbina) koji se ne snalazi baš najbolje na tom Zapadu. Bezazlenost ovog mladića sa njegovim istočnjačkim pogledima na svet, život i samog sebe, pomažu nam da njemu tuđ, a nama poznat svet vidimo u novom svetlu. Taj svet i nama samima u ovoj drami postaje apsurdan, humoran do tragikomičnosti, često surov i ponekad, samo ponekad, plemenit.
Goran Jevtić, jedna od najsjajnijih glumačkih zvezdi svoje generacije, svojom nadahnutom kreacijom povešće publiku na egzotično produhovljeno putovanje koje svakako ne treba propustiti. Tanja Mandić Rigonat učinla je da se to putovanje odvija u okviru razigrane scenske partiture, a uzbudljivu scensku ispovest upotpunila je video-radom sa dečjim crtežima, što je "Ledenom svicu" dalo dimenziju frojdovski komentarisanog sna.