Otkazuje se drama FRIDA KALO koja je trebalo da se odigra 19. novembra. Povraćaj novca vršiće se od 16. do 30. novembra.

Hvala na razumevanju.

Otkazuje se predstava Žanka koja je trebalo da se odigra 20. novembra. Povraćaj novca vršiće se od 16. do 30. novembra.

Hvala na razumevanju.

Poštovana publiko,

Blagajna u Muzeju Zepter, u ulici Knez Mihailova 42, neće raditi do utorka, 17. novembra.

Hvala na razumevanju.

Radno vreme biletarnice u Knez Mihailovoj 42:

Utorak, sreda, petak: 12–20 časova
Četvrtak: 12–17 časova
Subota i nedelja: 10-15 časova

Ponedeljkom biletarnica ne radi.

Telefon biletarnice: 011/ 33 00 111 i 011/ 21 80 400
E-mail biletarnice: biletarnica@madlenianum.rs

ISTINSKA DIVA NA SCENI OPERE I TEATRA MADLENIANUM

Mariju Guljeginu, najistaknutijeg dramskog soprana poslednjih decenija najbolje će opisati kritike uvaženih medija:

„Sopran koji odoleva testu vremena“ – Njujork tajms

„Toska za koju treba umreti“ - Herald Tribune

 „Marija Guljegina, vladajuća Toska poslednje decenije“ - Njujork tajms

„Moćnim izvođenjem uloge izmučene sveštenice iz Druida Guljegina nam je održala lekciju o dramatično uverljivom vokalnom i muzičkom majstorstvu“, - El Mundo.

 “Muzika i drama su joj u venama i ubedljivo ih prenosi na druge” - El Pais

 „Izvanredna Guljegina“ - Republika

„Marija - glas kraljice, muzika zaista teče njenim venama“ - La Nazione

„Njen sopran je prava stvar. . . Zanosni glas soprana i jeste suština Verdija. . . Njeno pevanje je bilo spektakularno ... “- Herald

„Guljegina nas je oborila s nogu svojim snažnim i sjajnim pevanjem “ - Njujork tajms

„ Glamurozno prisustvo Guljegine na sceni u skladu je sa njenim svetlim i moćnim tonom koji nikada ne prerasta u oštar, što je čini jednom od najistaknutijih soprana njene generacije.”- Mala knjiga operskih pevača

Velika nam je čast I zadovoljstvo da imamo takvu DIVU na sceni Madlenianuma, kako je došlo do saradnje sa BEMUS-om i Operom i teatrom Madlenianum?

Iskreno hvala! Zadovoljstvo je moje što sam pozvana da pevam u Srbiji, u tako divnom teatru!

U video poruci našoj publici rekli ste da je ovo prvi vaš koncert posle karantina zbog pandemije Covida-19, kako se osećate povodom toga?

Osećam se kao da krećem iz početka. Nova zemlja, novo pozorište, novi orkestar, novi dirigent!  Svih ovih meseci sam učila nove uloge, ali iz sopstvenog zadovoljstva, kao vrstu tretmana. Takođe sam pevala svoje omiljene arije sa svojim korepetitorom. Solo koncert podrazumeva veliki rad, ali i pritisak, naročito kada je ova vrsta repertoara u pitanju, zato se jako trudim da ne razočaram one koji me već znaju i spremam lep i interesantan program za koncert.

Program je sastavljen od najlepših arija, da li ste ih Vi birali, da li je bilo teško odabrati prave?

S obzirom da prvi put pevam u Beogradu izabrala sam one koje lično volim, ali i one arije koje publika voli. Teško je bilo zaustaviti se…zato je program dugačak I veoma dramatičan.

U Metropolitenu ste pevali sa srpskim baritonom Željkom Lučićem, da li možete da nam kažete nešto o ovoj produkciji i saradnji?

Zaista volim Željka, kada je pevao Magbeta u Metropolitenu to je bio njegov prvi ugovor kao slobodnog umetnika. Bio je veoma zabrinut. Metropoliten mu je odmah ponudio brojne ugovore, jer je neverovatan pevač i umetnik, ali je pozorište u kome je imao stalan ugovor bilo ljubomorno, i stalno ga je zvalo nazad, i zahtevalo da peva kod njih umesto u Metropolitenu. Tada mi se obratio sa pitanjem šta da radi. Duboko me je dirnulo njegovo poverenje. Često smo pevali, ne samo u Metropolitenu i Beču, već i u Moskvi I na drugim mestima i uvek mi je bilo izuzetno zadovoljstvo da pevam sa prijateljem i tako velikim pevačem!

Između brojnih nastupa i poslovnih putovanja koji je vaš način odmora i oporavka za nove izazove?

Razgovor sa decom uživo je za mene kao doping…Volim kad sam kod kuće I kad šetam sa svojim psima po šumi. Volim more, svake godine moram da boravim na moru, najčešće u Italiji. Volim sve svoje kućne ljubimce, imam četiri mačke I četiri psa. U našoj šetnji po šumi nam se i mačke pridružuju. Volim kad sam kod kuće, kada brinem o domaćinstvu, naročito volim da kuvam i da učim za klavirom. Imala sam sreće da provedem celih šest meseci sa sinom kod kuće – ovo je bio najduži period u kome smo non-stop bili zajedno, sami, kod kuće. Ovo je zaista bilo poput dara, kao nadoknada za sve izgubljene ugovore zbog karantina.

A TRUE DIVA ON THE STAGE OF THE OPERA AND THEATER MADLENIANUM

Maria Guleghina, the most prominent dramatic soprano of recent decades, are best described by reviews of the respected media:

"A Soprano Who Stands Time's Test” - New York Times

"Tosca to die for”  - Herald Tribune

 "Maria Guleghina, the reigning Tosca of the last decade” - The New York Times

''Guleghina's powerful assumption of the tormented Druid priestess was a lesson in dramatic conviction and vocal and musical mastery,'' - El Mundo

 ''She has music and drama in her veins, which she transmits with great conviction.’’  - El País

 "Extraordinary Guleghina" - La Repubblica

"Maria - Voice of a Queen, truly has the music running through her veins” - La Nazione

“Her soprano is the real thing . . . Soprano’s rapturous voice captures essence of Verdi . . . Her singing was spectacular…” - The Herald

"Ms. Guleghina knocked you into submission through the sheer power and hard-edged gleam of her singing.” - The New York Times

“Guleghina’s glamourous stage presence is allied to bright and powerful tone that never turns hard, making her one of the outstanding dramatic sopranos of her generation.“ - The Grove Book of Opera Singers 

It is great honour and pleasure to have such a DIVA on our Stage, how have happened this collaboration with BEMUS and Opera & Theatre Madlenianum?

Thank you sincerely! I am very pleased that I was invited to sing in Serbia, in a wonderful theater!

In video message to our audience you said this is the first concert after lockdown because of pandemia, how do you feel about that?

It feels like a new beginning.  New country, new Theater, new orchestra, new conductor! All these months I was studying new roles, but for my own pleasure, as a treat, I also sang my favourite arias with my pianist.   A solo concert is an enormous amount of work and also a lot of pressure, especially this type of repertoire, therefore I am trying my very best to not disappoint anyone who already knows me and present a beautiful and interesting concert.

In program we will hear the most beautiful arias, which were your chioce, is it difficult to choose the right ones?

Since I will perform in Serbia for the very first time, I chose mine and also the audiences most favorite arias. It was difficult to stop … and so the program is very large and extremely dramatic.

You sang in Metropolitan opera with Serbian singer Željko Lučić, can you tell us something about this production and collaboration?

I love Zeljko very much, and when we sang Macbeth at the Met, it was his first contract as a freelance artist. He was very worried. The Met immediately offered him a lot of contracts, because he is an amazing singer, artist, but the theater, where he usually works full time  was either jealous, or something and constantly called him back, and wanted him to come back to sing there instead of at the MET. 
And he asked me what to do. I was very moved by his trust. We sang very often together at the  MET and in Vienna, and Moscow, and somewhere else and always it is a great  joy to sing with a friend and an amazing singer!

Between numerous performances and travels for business how you find the way to get rest and to recover for new challenges? 

Conversations with my children on FaceTime - this is like doping… I love being home and walking with the dogs in the forest. I love the Sea, every year I have  to be at the sea, usually in Italy. I love all my pets, I have 4 cats and 4 dogs. Even the cats accompany me and the dogs on our walks to the forest.  I do love being at home and actually taking care of the house, especially cooking and and styduyng at the piano. And I was lucky that I had 6 whole months with my son at home - this was the longest time we were  non-stop together, alone, at home. this truly was like a gift, like a reparation for all the lost contracts during the Lockdown.